Hans Werner Henze as Post-Mahlerian: Anachronism, Freedom, and the Erotics of Intertextuality

 

in: Twentieth-century music 1, No. 2, Sept. 2004, S. 179-207

We use cookies on our website. Some are essential, while others help us to optimize our website and the associated user behavior. You can view, change and / or revoke these settings at any time via the privacy settings.

Reject all Customize settings Accept all