As part of the DFG project "Henze Digital - Hans Werner Henze's Artistic Network", the international and interdisciplinary symposium "Music, Networks, Self-Testimonies: Current Research on Hans Werner Henze" with researchers and companions took place.
The composer's efforts to create a stage version of the television opera La Cubana date back to the early 90s of the 20th century. Now the magnificent result can be seen at the Staatsoper Berlin on the stage of Linden21.
The Foundation supported the publication of the correspondence between Karl Amadeus and Elisabeth Hartmann with Hans Werner Henze. It was published by the Karl Amadeus Hartmann Society under the direction of Andreas Hérm Baumgartner and Wolfgang Rathert.
The Hans Werner Henze Foundation was invited to speak at the XVIII. International Conference on Music Analysis and Theory in Rimini to talk about its founder.
Hans Werner Henze's Sonata for Viola and Piano from 1946 is initially defined by two external circumstances: Firstly, it is not only one of the earliest works he composed, it is also one of the few juvenilias to have survived (the preceding works handed down to us can be counted on one hand).
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